The museum has a new logo and mantra as its director, Kaywin Feldman, moves to diversify the collection and the staff.
As live auctions resumed at Sotheby’s on Wednesday night, bidders there and at Christie’s the previous night welcomed a shift toward diversity in the contemporary art market.
They claim that the painting, “The Anse des Pilotes, Le Havre,” was taken from their ancestors by the Nazis, and have filed a lawsuit in Atlanta to recover it.
Two new exhibitions at Mass MoCA created over the past year offer insights into our new normal.
Its cultural institutions, buffeted by the pandemic, will have to recover without the help of Eli Broad, the transformational benefactor who died last month.
“Shattered Glass” at Deitch Gallery in Los Angeles has visitors returning, and artists bonding.
Sophie Taeuber-Arp blurred the boundaries between fine art and applied art, but died early without the recognition she deserved. A major new exhibition aims to fix that.
Preservationists fear that the Ayer Mansion, a “national treasure” with landmark status, which has been painstakingly preserved, may be cut off from public access.
A graffiti-tagged refrigerator door served as the artist’s guest register for Madonna, Angel Ortiz and more. Now it’s on the auction block at Guernsey’s.
Hassan Hajjaj’s “My Rockstars”; Hanne Darboven’s matrix of digits; Patty Chang’s list of fears; and Rachel Rossin’s painting-projection blends.